TED 2025: Artist-Driven Innovation in the Age of AI

I’m grateful to have been invited to speak at TED 2025 about the latest developments in filmmaking. My talk focused on Artist-Driven Innovation and a possible path forward for artists in this time of significant change. As technology rapidly transforms our industry, I wanted to share why the creative voice of the artist matters now more than ever.

Sharing stories and lessons from the TED stage. Photo: Jason Redmond / TED

The Opening Shot That Changed Everything

The iconic opening shot of Star Wars: Episode IV didn’t just wow audiences–it redefined what was possible in visual storytelling of that era. Behind the scenes, it was the Dykstraflex motion control camera rig, a marvel of engineering, that made those dynamic moves possible. This was artist-driven innovation at its best: artists and engineers working side by side to create something entirely new.

Opening with the Star Destroyer: the shot that redefined cinematic possibility. Photo: Gilberto Tadday / TED

A New Era: AI and the Creative Collision

Today, we’re at another turning point with AI. Instead of being introduced to these new technologies with a spectacular opening shot of a movie, we’re reading about them in the press. And the headlines aren’t very encouraging about the future of creative jobs. The technology is impressive, but it’s also intimidating, especially for those of us who’ve spent our entire careers crafting images frame by frame.

Discussing the leap from stop-motion to CG in Jurassic Park. Photos: Gilberto Tadday / TED

Lessons from 50 Years at ILM

But we’ve been here before. At Industrial Light & Magic (ILM), George Lucas built a culture where artists and engineers work together to solve the biggest visual storytelling challenges. Looking back over 50 years, some of the biggest leaps forward – like the digital dinosaurs in Jurassic Park – happened when new technology was blended with the experienced artists. The “dinosaur input device” from that era literally combined stop-motion animation with computer graphics, allowing artists to animate in familiar ways while harnessing the brand new digital tools.

Blending Old and New: Indiana Jones and The Mandalorian

This approach continues today. For Indiana Jones and the Dial of Destiny, our artists combined hand-tuned AI models with full CG performances to de-age Harrison Ford, blending the best of both techniques and achieving a terrific level of quality. On The Mandalorian, we used real-time virtual production and massive LED walls to bring distant worlds to life, while still relying on classic techniques like stop-motion animation for certain shots—leaning on experienced artists to drive the newest techniques.

Premiere of Landis Fields’ ‘Field Guide’-a glimpse at what’s possible with generative AI. Photo: Gilberto Tadday / TED

Premiering “Field Guide”: Exploring the Future of Creative Tools

What happens when the latest generative AI tools are placed directly in the hands of artists? Landis Fields, a talented artist at ILM, created this experimental short, Field Guide, in just two weeks as a way to imagine what a probe droid might encounter on a brand-new Star Wars planet. This is not a finished product but rather an early work-in-progress: think of it as a moving mood board that demonstrates what a show like this could feel like. By premiering this test at TED, I hoped to demonstrate how artist-driven innovation can shape the future of storytelling and how, even as technology evolves, it’s the creativity and vision of artists that truly bring these new worlds to life.

The Power of Artist-Driven Innovation

As I wrapped up my talk, I reflected on that unforgettable opening shot from 1977-how it set a new standard for what cinema could be and inspired generations of artists and audiences alike. Artists need better tools – the current text prompts aren’t a good way for talented artists to make movies. With a positive spirit of collaboration between artists and technologists, we have the chance to create moments that are even more imaginative, and more inspiring than that original Star Destroyer that inspired us all in 1977.

On the TED stage, reflecting on artist-driven innovation. Photo: Gilberto Tadday / TED

Lighter Darker The ILM Podcast

This sounds fun, are you hiring?

Yes! We are almost always hiring at ILM. Check ILM.com/careers for the latest info and browse the posted positions in our studios around the world.

Can I send you a Star Wars idea or a script?

No. As an employee of Lucasfilm I cannot receive unsolicited pitches. Sorry.

I'd like to study to work in the entertainment industry, what roles should I consider?

Check out Get In the Door for interviews with a number of people in a wide variety of positions at Lucasfilm and Industrial Light & Magic. I think you may find someone there who inspires you.

How can I contribute to software used by the entertainment industry?

The Academy Software Foundation is an open source, non-profit organization dedicated to getting people involved in a healthy software ecosytem for filmmaking, many of our projects focus on visual-effects and animation. I recommend checking out ASWF.io to learn more and get involved as it's a great way to meet people working in the industry and find a passion project to contribute to.

Can we collaborate on a speaking engagement or photography project together?

Please reach out, I'd love to talk with you. My job at Lucasfilm means I'm not always available, but I always love to hear about opportunities to work on something creative together.